2017.06.21 ( wed ) -2017.07.29 ( sat )
ARTIST Tetsugo Hyakutake, Tomoyuki Ueno and Yuken Teruya
hpgrp GALLERY NEW YORK is pleased to announce ‘Transboundary’, a group exhibition of Japanese artists from June 21st to July 29th, 2017. ‘Transboundary’ features the works of three artists, Tetsugo Hyakutake, Tomoyuki Ueno and Yuken Teruya, focuses on themes such as identity, history, politics and cultural diversity. The opening reception will be held in conjunction with the 4th edition of Tribeca Art Night.
©Yuken Teruya Minding My Own Business(Jan25,2014), 2015, New York Times, 12.5”x 12”x 2-1/8” (up right)
©Tomoyuki Ueno Don’t You Wanna Dance?, 2017, Brass, Iron and Wood, 41”x 81”x 31-1/2” (up left)
©Tetsugo Hyakutake Industrial Port, Kashima, Japan 2009, Archival Pigment Print, 16”x 56”/each (bottom)
2017.05.05 ( fri ) -2017.06.10 ( sat )
New York, April 12th, 2017 - hpgrp GALLERY NEW YORK is pleased to announce the first soloexhibition in the U.S. by Japanese artist duo exonemo. Internationally recognized, their work has been featured at institutions including the New Museum, Nam June Paik Art Center, the National Art Museum of China, and Museum of Contemporary Art Tokyo.
Formed by Yae Akaiwa & Kensuke Sembo, exonemo began releasing their artworks on the internet in 1996. From 2000 onward they expanded their activities into physical spaces, in the form of installations, performances, public interventions, and mixed media art. In hpgrp they will present new works that employ framed LCD screens alongside Body Paint (2014), an ongoing video series featuring hand painted monitors. “Milk on The Edge” expounds exonemo’s interest in the limits and possibilities of corporeality and identity in today’s information society, particularly investigating the way information devices create frames that alter perceptions of the world.
Initially focused on programming-based software art in the 90s, their transition into physical works include Natural Process (2004), a large acrylic painting of Google’s top page (later acquired by Google), and The Road Movie (2006), a mobile installation that incorporated origami paper folding, webcams, a bus, and GPS technology. The Road Movie was notably awarded Ars Electronica’s highest award, the Golden Nica for its innovation in art and technology. In 2012, exonemo established a secret society on the internet known as IDPW and created the Internet Yami-ichi (Black Market), an internet inspired ea market for goods and services at the cusp of virtuality and actuality. Reaching an international audience, exonemo has led Yami-Ichis in over 14 cities around the world, traveling to New York, Tokyo, London, and Seoul. In 2015, exonemo moved to New York through an artist grant by the Agency for Cultural Affair, Government of Japan, since then they have joined New Inc. an incubator for art, design, and technology led by New Museum.
This exhibition is supported by MAM/Tokyo (Masu Hiroshi Masuyama).
“On the edge!” Said the landlord as she spat out the milk.
Two years ago, right after when we moved from Japan to New York, we bought some milk. It tasted different from what we were used to, but we thought maybe that's just the way things are here. Then we asked our landlord to see what she thought.
In crossing the national borders, from Japan to New York, even the borderlines between “fresh and rotten” ––– something we should have instinctively sensed ––– became confused. What unreliable interfaces our bodies are! Today, constantly connected to the world via technology, our bodies are expanding their borders, and trying to touch the world beyond the frames provided. The boundary territories just beyond the screens, and vague new borders are marked by the spray of foul milk.
2017.04.27 ( thu ) -2017.05.03 ( wed )
ARTIST Yuko Bito
2017.03.30 ( thu ) -2017.04.15 ( sat )
ARTIST SARAI MARI
hpgrp GALLERY NEW YORK is pleased to announce “Speak Easy” by photographer Sarai Mari from March 30th to April 15th, 2017.
Sarai Mari is a Japanese fashion photographer who has worked in New York, London, and Tokyo. After beginning her career as a photojournalist, Mari transitioned to fashion photography, her work appearing in the likes of Interview, Harper’s Bazaar International, Porter, Numero, and Vogue Japan shooting the likes of Adele, Tom Hiddleston, Amy Winehouse, and Scarlett Johansson.
Much of her work is inspired by Helmut Newton for his erotically charged representations of strong women. Mari’s book Naked, a monograph of female nudes published in 2011, is the culmination of two years of work around the subject of femininity and female sexuality, suffused with Mari’s provocative interpretation of female strength.
In March 2017, Mari will release her second book via Damiani Books, Speak Easy, inspired by the gender roles men and women play within society. By celebrating all definitions of gender and sexuality, the previously defined terms fall away. They lose their meaning; and there is nothing left but the raw expression of the subject in the image. Subjects featured in the book include Clara Paget, Hikari Mori, Janice Dickinson, and Sonoya Mizuno.
Since I was a child, I have rebelled against these rules and these societal definitions. We all share a desire to be understood, to be accepted and approved of. In our radically changing and highly judgmental society, people are often scared of being isolated or left behind. So they conform to fit in. But in adhering to an outside perception of oneself, we are unconsciously denying our true selves.
I have become obsessed with discovering the true people behind the masks. What lies hidden beneath the skin is often much more beautiful than which is projected outward. Since I was young I have seen a simple transparency in the complex relationships people have with each other. I am obsessed with hidden secrets. I break down the layers through my lens and the mask falls away, revealing an intimate vulnerability that makes time stop.
2017.02.28 ( tue ) -2017.03.25 ( sat )
ARTIST Everett Kennedy Brown
hpgrp GALLERY NEW YORK is pleased to announce “Japanese Samurai Fashion”, an exhibition of mixed media images by Japan based artist and cultural interpreter Everett Kennedy Brown. In conjunction with the March anniversary of the 2011 Great East Japan Earthquake the exhibition will be held from February 28th to March 25th, 2017.
Using wet plate collodion photography and advanced digital techniques Brown presents a multilayered visual experience that offers uniquely fresh and powerful insight into the rich cultural tapestry of samurai fashion, as it continues to exist in the lives of the people living in Soma, Fukushima (the site of the recent nuclear disaster).
Through his friendship with Michitane Soma, the 34th generation head of the Soma warrior clan, Brown was given access to photograph the local people of Soma, who have been continuing their samurai horseman heritage for more than 800 years. Though Brown has exhibited and published his work widely in Asia and Europe, this is his first solo exhibition in New York.
The “Japanese Samurai Fashion” exhibition presents two major bodies of work. Using antique lenses and wet plate glass negatives, Brown took portraits of 44 Soma residents wearing traditional samurai costume that they wear in the annual “Nomaoi (Wild Horse Chase) festival. In exposures of 10 seconds the men, women and children draped in formal samurai wear that have been handed down from generation to generation, reveal a soul and strength of spirit that transcend time and space. Brown’s exceptional images capture old layers of Japan that ask fresh new questions into the meaning of history and represent important cultural documents that will be sources of study and insight for time to come.
In Brown’s second body of work presented in the exhibition, using advanced digital techniques, he juxtaposes two major elements of Japanese aesthetics. His color images articulate the flamboyantly colorful “Kabuki-like” aspects of Japanese culture that stand in contrast to the subdued “wabi sabi” aesthetic revealed in his classic wet plate black and white images. Based on color photographs Brown shot of 108 samurai horsemen, the images vividly focus our attention to the rich tapestry of color and design to be discovered in samurai fashion. The cultural importance of this body of work is evident in that these images ask serious questions for the first time ever about the origins of samurai fashion motifs and their influence from South East Asia, India and Middle Eastern textile traditions.
According to respected critic and cultural icon, Seigo Matsuoka, "In the history of Japanese photography, no other foreign photographer has documented Japan with deeper insight." In this exhibition, Everett Kennedy Brown has brilliantly fused tradition and innovation to provide fresh new insight into aspects of Japanese culture that have not been explored until now.
Copies of his new book “Japanese Samurai Fashion” will be available for purchase and signing at the reception party on Feb.28th.